Cintiq Alternative Reviewed

Illustrator Ray Frenden was disappointed with his Wacom Cintiq 20WSX and had reservations about giving the company another stack of cash for a “sluggish, incremental, trivial” new generation model:

The last generation of Cintiqs based on Intuos 3 tech had some significant issues with display quality. They used cheap TN panels. They looked muddy and washed out. An anti-glare coating on the back of the plastic screens worsened an already low contrast ratio and robbed the colors of what little vibrancy they had. The newer Cintiqs, like the 24HD, have IPS panels similar to the Apple Cinema Displays. Others have said the display quality is a vast improvement over the last-gen models. That said, the new 24HD has a lower PPI than even my older 20WSX, so I’m healthily skeptical. […]

I’d be less harsh on the Cintiqs if Wacom weren’t demanding such a hefty price for what amounts to little more than an Intuos digitizer with a cheap LCD slapped atop. […] I felt I should at least look into other options when buying a new tablet monitor for a second machine.

Not finding many reliable reviews, he took matters into his own hands. He ordered two models made by Yiynova, the $299 10.1″ DP10 and the $499 19″ MSP19, and extensively documented his experience.

From my read, the hardware was better than he expected, though he did get one dud which the distributor replaced. Both had flaky driver support, and neither worked well in Mac OS. But they worked passably in Windows, with the DP10 performing better than the MSP19.

Given the price point, less than half Wacom’s comparable models, these devices might be attractive to students or illustrators who want to try out a tablet display. Either way, it looks like Wacom has some competition and might have to up the ante.

Click through for Frenden’s full review, unboxing and demo videos

Wacom Unveils the Intuos5

Wacom Intuos5

Wacom, the undisputed champion of professional-grade input tablets, has outdone themselves with their new Intuos5 line.

They’ve simplified and refined all aspects of the Intuos4 to focus on productivity and a tidy workspace. Gone are the distracting OLED screens, the glossy finish, and all wires. Replacing them are an intuitive, customizable on-screen menu system that keeps your eyes on your work instead of your hands, a smooth, uncluttered and durable matte finish that Batman himself may have designed, and an optional wireless kit that consists of a transmitter, a USB receiver and a Li-ion battery with a 6 to 16 hour charge depending on the size of the tablet.

Intuos4 (above) vs Intuos5 (below)

They’ve also added multi-touch sensitivity and gesture recognition, so you can use the ten pens you were born (up to 16, if you’re some kind of freak) or their now-standard stylus that offers 2,048 levels of pressure sensitivity. A button toggles between pen and touch modes to avoid accidental input.

Intuos5 Multitouch Gestures

US prices range from $230 to $470 depending on size, and they should be shipping very soon.

For more info, check out Engadget’s hands on, and Wacom’s product page.

Thanks to Larry for the tip!

The Textbook, Reinvented

Yesterday, Apple announced a joint initiative with publishers to bring textbooks to the iPad. This move would make them cheaper, lighter, always up to date, and—of interest to us—more richly illustrated and interactive.

When we set out to bring textbooks to iPad, there were really three areas we focused on: we wanted to have really fast, fluid navigation, we wanted to have beautiful graphics, we wanted to create an easier way to take notes.

—Roger Rosner, VP Productivity Applications, Apple

httpvh://www.youtube.com/watch?v=KJxZG2Nv4KA

Apple also released a free iBooks authoring suite, iBooks Author. This application enables anyone to write, design, create interactive modules, and publish a book to the iBooks store for sale.

Medical Illustration in iPad Textbook

Scientific Illustration in iPad Textbook

While I’m not sure that the iPad is a more durable medium than paper for kindergardeners through high school students (could you see yourself in your garage with a iHaynes manual?), this is certainly an encouraging development for our trade. It demonstrates that people learn best, are enthusiastic about learning, when information is presented in a highly visual, immersive way.

The choice of graphics shown might also be a signal that if you’re not dabbling in 3D, motion and interactivity yet, it might be a good time to start. Remember, every threat is also an opportunity.

Masters of the Cutaway

I just happened across design blog Core77‘s ongoing series, Masters of the Cutaway. Some of it seems lifted from Kevin Hulsey‘s much more in-depth Masters Gallery: Art of the Cutaway, but there are a few illustrators you might not know about:

Wrapping Patterns Around Cylinders

Wrapping Patterns Around Cylinders

Brett wrote in looking for a way to accomplish a diamond grip pattern wrapping around a cylinder, like the one shown above. It’s easy enough to trace a photo, but what if you didn’t have one, or it wasn’t at the right angle?

The technique I’d use is similar to mapping a label to a can.

Wrapping Patterns Around Cylinders

1. Create the artwork you’ll need. The diamond pattern matches the angle and density of the original. The black circle is the same diameter as the reference part, and is filled with no stroke.

Wrapping Patterns Around Cylinders

2. Make the pattern a symbol. Drag the pattern into the Symbols palette.

Wrapping Patterns Around Cylinders

3. Extrude the circle. Go to Effects > 3D > Extrude & Bevel. Click the Surface dropdown at the bottom and select Wireframe. This will help you orient the cylinder to the desired angle. I usually start by entering 0° for all the rotation angles, then rotating one axis at a time by grabbing the edges of the preview cube.

You may need to reposition your cylinder to line up better with a reference image. To do this, Click OK, move the cylinder as needed, then open your Appearance pallete and double click on the 3D Extrude & Bevel item. You may need to turn Preview back on.

When you’re happy with your geometry, click Map Art…

Wrapping Patterns Around Cylinders

4. Map Art. Click through the Surfaces to find the rectangular side surface. Then select your pattern from the Symbol drop down. Next, select Scale To Fit at the bottom and check off Invisible Geometry. Click OK.

Wrapping Patterns Around Cylinders

5. Change Surface to Flat Shading. Click OK. You can now edit the artwork as needed by going to Object > Expand Appearance. In my example, I changed the yellow fill to white, then drew the rest of the lineart on another layer.

Have a common problem in Illustrator? Let us know in the comments, or email it to suggest@technicalillustrators.org!

Shooting On-Angle Photos

Shooting On-Angle Reference Photos

Often the most difficult and time consuming part of technical illustration is finding good reference material. While the internet serves up a limitless selection of images, finding one at an appropriate size, fidelity, viewing angle, and unambiguous copyright status, can be next to impossible.

Sometimes it’s much quicker to simply step away from your desk and go snap a photo of whatever you need. Of course, this isn’t practical if you’re drawing a submarine or a satellite, but it can help if you’re trying to fill a scene with commonplace objects.

Where it gets tricky is matching your photo reference up to the rest of the drawing. We’ve all seen drawings badly traced and assembled together from photos taken at different angles. We can recognize this because we understand perspective. So let’s apply that understanding when shooting our own photos.

Read More

Create Proper Gears & Conical Gradients

Iaroslav Lazunov has a great tutorial over on Astute Graphics’ blog on how to create proper gears in Adobe Illustrator. This tutorial makes use of the plugin VectorScribe, but the same results could be achieved with Illustrator’s default tools with some extra steps.

An important distinction is made here: Proper Gear. Most gears that show up in illustrations and icons would not work with any efficiency and some would just shred to bits. While you wouldn’t necessarily 3D print these and use them, you’ll end up with something that at least looks like it would work (unlike the failboat below).

Department of Innovation: Going Nowhere Fast

Also included in the tutorial is a way to accomplish conical gradients in Illustrator (unfortunately the technique is extremely convoluted).

Conical Gradient in Illustrator

Check out the tutorial!

Astute Graphics VectorScribe

It’s been a great summer break, but now it’s back-to-school here at TechnicalIllustrators.org.

I thought I’d share what I’ve learned using Astute Graphics’ VectorScribe plugin for Adobe Illustrator (previously) over the past few months. I’ve put together a bit of a demo video highlighting some key features of the suite that I’ve found helpful.

httpvh://www.youtube.com/watch?v=AydOgXNnQjs

This only scratches the surface—As mentioned in the video, be sure to check out Astute’s video tutorials to learn about all the features in detail. I think this package is a great, feature-rich and intuitive extension to Illustrator’s toolkit.

If you’re using VectorScribe or have tried the demo, let me know your thoughts in the comments!

The Business of Freelancing Creative

Peter Beach, a technical illustrator with over 25 years of freelance experience, wrote in to share his blog The Business of Freelancing Creative. There Peter has a wealth of wisdom, including his 21 Practical Tips to a successful illustration career, and candid essays on finding your niche, work-for-hire, copyright, pricing and stock illustration.

I’ve only started reading through, but it’s already proving to be a valuable resource for those considering a career of freelance and seasoned professionals alike.

If you have a site or resource to share, please visit the Suggest page.

A Cautionary Tale

Bill Mayer, a seasoned veteran illustrator, recently shared this cautionary tale. Innocently enough, he took on a cover illustration for an alternative weekly magazine with a very low budget because he loved the subject matter and thought that being an award-winning professional would earn him some creative freedom. Instead his best concepts were thrown out and his final illustration was micromanaged by the magazine’s advertisers. Then he was tarred and feathered by his peers for ever taking on the job.

Steve Brodner summed the whole thing up best:

One more thing I tell my students: if [clients] pay you like shit, they treat you like shit.

It might be a good time to review our tips on pricing technical illustration.

Have a similar horror story? Let us know if you can relate in the comments.