General Motors Media Portal

Corvette Cutaway Illustration by David Kimble

Corvette Cutaway Illustration by David Kimble © Copyright General Motors

Davvi wrote in to tell me about this somewhat hidden collection of technical illustrations and photography of the Chevy Volt. Very cool stuff, hopefully that link doesn’t disappear!

From there I found my way to GM’s excellent media portal which provides official content and high resolution images for news and editorial outlets. Digging around in the photo section yielded some awesome finds like the huge David Kimble airbrushed cutaway illustration above. Try searching for illustration, cutaway, and rendering, you’ll love what you find!

Know of any other manufacturers with public media portals? Let us know in the comments!

SubScribe Illustrator Plugin

httpvh://www.youtube.com/watch?v=D5lk-XKShhM

Astute Graphics has done it again. In what seems like a quest to put all of Adobe Illustrator’s native tools to shame, they’ve released a new plugin suite called SubScribe. Included are tools for drawing circles based on 2 or 3 points, connecting and straightening lines, drawing arcs, rotating and orienting artwork and drawing tangents and perpendicular paths (as shown in the video above).

Time to reassign some hotkeys.

SubScribe is free to all Astute Graphics customers.

Shooting On-Angle Photos

Shooting On-Angle Reference Photos

Often the most difficult and time consuming part of technical illustration is finding good reference material. While the internet serves up a limitless selection of images, finding one at an appropriate size, fidelity, viewing angle, and unambiguous copyright status, can be next to impossible.

Sometimes it’s much quicker to simply step away from your desk and go snap a photo of whatever you need. Of course, this isn’t practical if you’re drawing a submarine or a satellite, but it can help if you’re trying to fill a scene with commonplace objects.

Where it gets tricky is matching your photo reference up to the rest of the drawing. We’ve all seen drawings badly traced and assembled together from photos taken at different angles. We can recognize this because we understand perspective. So let’s apply that understanding when shooting our own photos.

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The Business of Freelancing Creative

Peter Beach, a technical illustrator with over 25 years of freelance experience, wrote in to share his blog The Business of Freelancing Creative. There Peter has a wealth of wisdom, including his 21 Practical Tips to a successful illustration career, and candid essays on finding your niche, work-for-hire, copyright, pricing and stock illustration.

I’ve only started reading through, but it’s already proving to be a valuable resource for those considering a career of freelance and seasoned professionals alike.

If you have a site or resource to share, please visit the Suggest page.

A Cautionary Tale

Bill Mayer, a seasoned veteran illustrator, recently shared this cautionary tale. Innocently enough, he took on a cover illustration for an alternative weekly magazine with a very low budget because he loved the subject matter and thought that being an award-winning professional would earn him some creative freedom. Instead his best concepts were thrown out and his final illustration was micromanaged by the magazine’s advertisers. Then he was tarred and feathered by his peers for ever taking on the job.

Steve Brodner summed the whole thing up best:

One more thing I tell my students: if [clients] pay you like shit, they treat you like shit.

It might be a good time to review our tips on pricing technical illustration.

Have a similar horror story? Let us know if you can relate in the comments.

The Complete Technical Illustrator eBook

Greg Maxson just announced that his book The Complete Technical Illustrator [previously] is now available for purchase as a PDF eBook:

Originally published internationally by McGraw-Hill, this 500-page full-color text is a comprehensive look at vector-based technical illustration. Several software products are featured including Adobe Illustrator and Autodesk’s AutoCAD and 3ds Max, but the procedures and approaches are easily transferred to CorelDRAW, inkScape, Maya, and Blender, among other graphic tools. This text also features numerous illustration tips and case studies of illustration taken directly from business, industry, and commerce. Written in a conversational manner and full of explanations, The Complete Technical Illustrator is a welcome addition to your illustration resources.

Dr. Jon M. Duff has written about and taught technical illustration for forty years and is Professor Emeritus of Engineering at Arizona State University. Greg Maxson has been a professional technical illustrator for over two decades and operates his own studio in Urbana, Illinois.

The Complete Technical Illustrator by Greg Maxson & Jon Duff [$20]

Vector Scribe Illustrator Plugin

httpvh://www.youtube.com/watch?v=Y1TEqhiyZ3k

I’m excited to introduce to you a new plugin suite for Adobe Illustrator, VectorScribe by Astute Graphics.

VectorScribe fills the gaps in Illustrator’s toolbox. These tools give you intuitive yet precise control over your points, paths and shapes—without creating Effects or file incompatibilities across versions of Illustrator. VectorScribe lets you work with your vectors instead of around them.

I’ll go into detail about each tool in the suite later, but in the meantime have a look at some videos and check out the free 7 day trial.

Full disclosure: I was a volunteer beta tester for this software and received a complimentary copy.

VectorScribe by Astute Graphics – $119

Full disclosure: As a beta tester, I received a complimentary copy of this plugin.

Style versus Communication

Style vs Visual Communication

I’ve been meaning to write about style — the design and arrangement of visual elements that creates a tone or voice in an illustration, throughout a project, or across an illustrator’s entire body of work. More specifically, how style conflicts and complements with a technical illustrator’s role of visual communication.

This critique of dozens of newspapers’ adaptations of an Associated Press graphic serves as a great introduction to the topic. News graphics veteran Charles Apple dissects the minute decisions made by the various papers’ editors in the name of visual appeal, visual communication, story telling and branding.

Is technical illustration more about visual communication or style?
How do you compromise between the two?

[A Look at Tuesday’s Graphics-Heavy bin Laden Presentations]